this my shit // songs that no matter where you are, people will know them
001. superstar - jamelia | 002. hey ya - outkast | 003. mambo no.5 - lou bega | 004. seven nation army - the white stripes | 005. im yours - jason mraz | 006. wannabe - spice girls | 007. party in the usa - miley cyrus | 008. mr brightside - the killers | 009. fergalicious - fergie | 010. hallaback girl - gwen stefani | 011. my humps - the black eyed peas | 012. thats not my name - the ting tings | 013. smack that - akon | 014. crank that - soulja boi | 015. rock dj - robbie williams | 016. take on me - a-ha | 017. wonderwall - oasis | 018. drop it like its hot - snoop dogg | 019. push the buttons - sugarbabes | 020. asereje - las ketchup
I don’t know why, this song always makes me feel sad…
it’s sad because it reminds you that every great adventure has to end, you must say goodbye to every friend eventually, and that the power of these experiences will live on only in your memories, and even if you do forget…. they live on through your actions and choices from then on.
so I guess in a way, they never really die. This is why my goal in life is to make good movies; to make adventures for people to experience, and for that experience to live forever in them.
After all you haven’t forgotten what you’ve learned from Spirited Away even if you’ve never put it into words, right??
i love nicki minaj and janelle monae because their aesthetics are so far removed from one another but they both actively attempt to defy traditional standards of beauty in their own completely different ways
i think nicki goes “hyper-feminine” (see: Barbie) and challenges traditional standards of beauty by being LOUD in her femininity in both her demeanor and her appearance. yes she likes pink but not only does she like pink she FUCKING LOVES PINK. furthermore, i think she enjoys appropriating male symbols of power or traditionally masculine clothes and “feminizing” them by (flawlessly) incorporating them into her own outfits. or she makes her feminine outfits threatening by wearing spikes and sharp edges
janelle’s aesthetic is more focused around blurring the lines of traditional femininity and masculinity. janelle’s occasional forays into more traditional standards of beauty for women only make it more obvious that she is saying “I am the one who chooses how I look. Today I choose to look this way for myself and tomorrow I may choose to look differently.” she does things like wear a formal white button up, but with a ribbon neck tie. or strappy heels and an all-white suit with a gorgeous necklace. or a suit-inspired dress with a lot of cleavage. she doesn’t even give a shit about gendered clothing and just wears whatever the fuck she wants
i also love love love that they defy white-centric ideas of beauty. nicki has an alter-ego named barbie… what defies white-centric ideas of beauty more than a woman from trinidad calling herself barbie when mattel refuses to release a doll with brown skin called barbie and instead making her one of “barbie’s friends”?
and janelle is constantly constantly using natural black hair and i think she is constantly paying omage to african and african american culture in her aesthetic… i would be shocked if her cover for archandroid wasnt inspired by queen nefertiti
anyways i just love how these ladies dress themselves because i see it as a big middle finger to traditional ideas of how black women should look and i think that’s just great bye
- Leonardo Da Vinci’s wacky piano is heard for the first time, after 500 years:
A bizarre instrument combining a piano and cello has finally been played to an audience more than 500 years after it was dreamt up Leonardo da Vinci.
Da Vinci, the Italian Renaissance genius who painted the Mona Lisa, invented the ‘‘viola organista’’ - which looks like a baby grand piano – but never built it, experts say.
The viola organista has now come to life, thanks to a Polish concert pianist with a flair for instrument-making and the patience and passion to interpret da Vinci’s plans.
Full of steel strings and spinning wheels, Slawomir Zubrzycki’s creation is a musical and mechanical work of art.
‘‘This instrument has the characteristics of three we know: the harpsichord, the organ and the viola da gamba,’’ Zubrzycki said as he debuted the instrument at the Academy of Music in the southern Polish city of Krakow.
The instrument’s exterior is painted in a rich midnight blue, adorned with golden swirls painted on the side. The inside of its lid is a deep raspberry inscribed with a Latin quote in gold leaf by 12th-century German nun, mystic and philosopher, Saint Hildegard.
‘‘Holy prophets and scholars immersed in the sea of arts both human and divine, dreamt up a multitude of instruments to delight the soul,’’ it says.
The flat bed of its interior is lined with golden spruce. Sixty-one gleaming steel strings run across it, similar to the inside of a baby grand.
Each is connected to the keyboard, complete with smaller black keys for sharp and flat notes. But unlike a piano, it has no hammered dulcimers. Instead, there are four spinning wheels wrapped in horse-tail hair, like violin bows.
To turn them, Zubrzycki pumps a pedal below the keyboard connected to a crankshaft. As he tinkles the keys, they press the strings down onto the wheels, emitting rich, sonorous tones reminiscent of a cello, an organ and even an accordion.
The effect is a sound that da Vinci dreamt of, but never heard; there are no historical records suggesting he or anyone else of his time built the instrument he designed.
A sketch and notes in da Vinci’s characteristic inverted script is found in his Codex Atlanticus, a 12-volume collection of his manuscripts and designs for everything from weaponry to flight.
‘‘I have no idea what Leonardo da Vinci might think of the instrument I’ve made, but I’d hope he’d be pleased,’’ said Zubrzycki, who spend three years and 5000 hours bringing da Vinci’s creation to life.
The Otamatone created by Japanese performance artist Maywa Denki is a cleverly designed electronic instrument in the shape of a musical note with a cute face. To play the Otamatone requires no musical experience and is so easy to create some fun tunes. The stem is where you select your pitch. To change the pitch of the tune, just slide your fingers up and down the stem. Squeeze the cheeks of its face makes its mouth open to produce vibrato. Simple as that!
aRE YOU SHITTING ME THAT IS THE MOST FUCKED UP SATANIC GREENSLEEVES I HAVE HEARD IN MY MANY YEARS
I AM LAUGHING SO HARD, I AM CRYING. I AM ALSO TERRIFIED.
This is the song from the Evil Queen/Evil Regal video
this fucking songgggg, guess what i’ve had on repeat for the last two hours?
she has it free to download on her soundcloud here and all you have to do is like her facebook page. Worth it.